The internet just sayin instrumental free download

No need to say, I was sold way before even listening a second of it. Thanks to the internet it resurfaced on various blogs a few years ago last time I checked it was on a couple of soundclound accounts as well. So here you go. And yes, it was all that was expected: well mixed, some adventurous blends Oizo vs APC or Kool Keith , a good balance of uptempo tracks and some more weird electro-oriented productions..

This is one of the rare 12'' produced by Boston's Record Company Records crew even if technically it was out on Emerge Music. RCR was a short-lived indie rap label managed by producer Jeep Jack. It had a rather confidential success although it managed to be highlighted in France's small indie rap circles in the early 00es articles and mixtapes in HHSection and HHCore, various appearances in Waxexpress' seminal compilation Projet Chaos and various local mixtapes.

The parallel with the french indie rap scene is not over yet: I first heard of this track through Klub des Loosers' Fuzati french rapper rapping over Sweet Baby's instrumental on a mixtape freestyle.

I didn't know who made that beat at first but always thought it fitted perfectly Fuzati's style, a kind of light, humorous beat sampled from maybe a cheap cartoon or something. I stumbled upon the real version of Sweet Baby a few years later, bought the 12'' and had the pleasure to realise that the 2 other tracks on it Lethal Weapon with Insight on both prod and raps and Underrated River were as good as Sweet Baby if not better. Same recipe: an inspired blend of rap tracks and instrumentals, maybe missing the immediate appeal of tracks like 'Daily Bars' or 'Crunch Day' from Vol.

I must admit I'm a little bit confused with who was part of the group. Once again I've been introduced to this band through a mixtape. It was the great "Provoked" with its bouncy and hypnotic bassline and the tape was Detect's 1st Adventure -who happens to be this blog's first post. That tape was from and at the time this kind of 12'' was still pretty confidential so I was stoked when I stumbled upon a copy in a parisian shop back then. I like to think it was the actual copy Detect used for this very mixtape then get bored of and sold it to the shop.

The kind of weird collector's chakra thing and all. I'm romantic like that. What you got on this pack is this EP, a cd compilation called Relocated Joints and a rip from my vinyl copy of Orfeus "Mithalaje" with instro and such never found a rip of the 12'' so here you go.

I'm still looking for a little bit more of background about OS. I know Scribe Sayar has a bandcamp with more recent solo stuff also. I just found a copy of that mix-cd that I once had, then lost, then looked for with no luck for quite some time until yesterday. It's special because yet it's another compilation of "breaks used in rap" I always came back to this particular one. There's ton of dope stuff in there, lots of stuff you probably never heard of, and he only uses super small parts of each record, which is at the same time fun you'll find yourself hit the rewind button a lot, what's this one again..

I interviewed him through e-mail the same year that mix-cd was released for the french webzine now defunct hiphopcore. Here's a very slightly edited version:. Tell us about your very first contact with the hip hop world. Wow, well I guess my first experience I remember other than hearing "Rapper's Delight" was the first record I bought with my own money which was "the Adventures of Grandmaster Flash on the Wheels of Steel" I purchased it just because I saw it was on the same label as the Sugar Hill Gang record.

I remember when I first heard it I thought that here was something wrong with the record because I had never heard scratching before Laughing. But I remember playing that song over and over again and wanting to figure out how it was done. It's funny because as I say all of this I realize that I was crate digging back then as a kid. You know? Like checking out who was on what label and stuff. What about your beginnings, Star Records, how you met Iz and decided to start the Dereliks?

That's pretty long one. Well I was djing and I just really got the bug to want to make the music I heard so I saved up my money and got a Roland But you couldn't tell me then that I wasn't about to blow up.

So I kind of just put the music making aspirations on hold and just kept spinning. This one place I would buy records at all the time called Star records basically was the hub of hip hop for years. I never expected or thought I would ever work there. But it was one of the first DJ Counter models so you had to give utmost respect to the person working the DJ counter.

It was like they were the Guru of all music information, you know what I mean? So one day I hear they are hiring and I came in and the owner loved me. There I was thinking that it was because of my music knowledge but it was because I was a big guy and she thought I would look pretty scary behind the counter Laughing. Later I find out that it was actually a combination of the two. You know what I knew and my stature. He wasn't PB Wolf then but you know what I mean.

So as I am working there the experience is priceless you know what I mean? I mean everyone came through. Artists on labels, upcoming artists, you name it. I was the "hip hop" guy there so I got to hang out with a lot of people I don't think I would have ever met.

So while I was there I got back into making music by going to studios that had the equipment I couldn't afford and working with my good friend Ed Main on music. It was a big progression from the old drum machine days but it still was missing something. I always talked to a bunch of people and one day this dude came in who knew I was doing music said he knew of these two dudes who need music. I met them and the other guy was ok but Iz had this rap he did, that coincidentally became our first song.

That blew me away. I felt bad but I got with Iz and said I could see working with him but I didn't see much of a future with the two of them as a group. He actually had only started working with the dude maybe a month before that so he didn't feel very committed to staying with him.

So we kind of just looked at how we were as dudes and we realized that we didn't really fit in with what was going on at the time and we were cool with that so we were trying to come up with a word that said all of that. So that's how we came up with the Dereliks. So we just clicked right away.

It was weird because it just all came together like that you know? You released on a quite small label, Low Self Discipline, and I was wondering if the opportunity of signing with a bigger label didn't show up? Plus you had contact with people like Peanut Butter Wolf, etc.. It's a classic to me and not too many people know about it. Yeah it is a trip people want to pay that much for it. I don't know man I mean I'm torn because it's flattering but I just think people tend to try and capitalize on things when it's never the artist that gets the credit or compensation for it.

Anyways we put that out through this dude named Brandon who found out about us from a demo review from Bomb Hip Hop Magazine. So basically what we set out to do was to put out a classic piece of material that would be a sought after item.

So to actually do what you set out to do means a lot. Especially since this music game is so hit or miss. We definitely had labels approach us but we would have ended up like all those other groups that came out with one album got dropped and never heard of again.

I mean who knows maybe it would have blown on a whole other level but I like how we did it. It just means more when you can accomplish your goals on you own you know? What happened with Iz? What do you think of his new group Tha High? Is there any chance to see another Dereliks album one day? I think Iz and I both just got worn down by it all. We were doing a lot of big things but not getting paid for it.

We would pack a club to the point that they had to shut it down for fire hazard reasons with people waiting outside and get paid pizza. We weren't very business savvy then. It made us more artistic but made us more bitter at the end of the day.

Me and Iz were like brothers. Click here to see more titles from these independent creators and to learn more about SMP Press. Please note this product may not be eligible for all sales, promotions or coupons offered through Sheet Music Plus - please check promotional details for specifics. Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device.

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